This project was a completed at Typography Summer School for  Brooklyn’s multidisciplinary radical arts organization, Recess Gallery. To archive their ten years of exhibition materials in the form of a visual identity, I chose to focus on hierarchy of critical topics in a year-long retrospective including a newspaper program, posters, postcards, and a web experience organizing the exhibit information through a portal generating projects based on key topics such as gender identity, incarceration or human interaction.

This project was completed while participating in Other Mean’s and Fraser Muggeridge’s Typography Summer School, which consisted of typographic critique, independent research and exercises as an alternative to traditional post-graduate pedagogical spaces.